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ex. Frank Valenzuela
Frank Valenzuela obtained this specimen from a fellow miner at the Inspiration, where he was a miner and then a shaft supervisor in the 1950s-1960s. It was collected, he recalls, in the early 1960s. It is a classic example of the quartz-covered chrysocolla stalactites from that time, but unusual in that it was preserved as a whole pocket. The piece glows when backlit, as the top surface is partially translucent and there is a small hole in back of the vug, to let light into the pocket for backlighting. The largest stalactites are 2 cm. The pocket opening is 2 inches across. Overall, a unique, interesting, and very beautiful piece that I have long lusted to obtain from the collection and bring to market. Joe Budd Photos.
ex. Frank Valenzuela
These come from a remote copper mine , and only out of old collections now. This is one of the few larger examples of this old classic Aussie material I have seen on the market, and features a nice ridge of sharp crystals perched on contrasting matrix. The crystals are to just over an inch and are actually a rare double pseudomorph! The chrysocolla has replaced malachite, which itself replaced the original azurites. Small gem orange wulfenites add decoration, a classic association for the locale. Overall, then, this is both big and unusually fine for its aesthetics. I was told that most of these came out prior to the 1970s, and Frank obtained it in trade at Tucson one year. He loved it because of the similarity to the pseudomorphs of his Arizona locales. Joe Budd Photos.
ex. Frank Valenzuela
A cute pocket of rounded chrysocolla nubs, coated by a transparent , thin layer of gem silica which acts as a protective and sparkly coating. The pocket is within the nodule in which it formed, so you can see the context. A rare, larger example in good shape, that probably dates to prior to the 1970s. Joe Budd Photos.
ex. Rice Northwest Museum
A gorgeous polished nodule of gem grade carving rough of the best color of "gem silica," chrysocolla and quartz mixed together along with malachite (the malachite in the form of needle-like inclusions). This is classic old material for the mine, but seldom do you see such large nodules still around as they have always been, and remain, desirable for lapidary use. The colors here are both particularly intense and contrasting. From the Rice Northwest Museum collection, originally donated by its founders Richard and Helen Rice (cat #207). I believe there is a fair amount of lapidary value to this specimen, and it is a beautiful piece even "as is." Weight is 2 pounds Joe Budd Photos.
Chrysocolla is typically opaque or translucent, and rarely does one see gem quality stones of this material. This stone has a vibrant blue color with a slight green overtone. This stone is translucent in areas and has a "Round" cut. The vibrant color in Chrysocolla is often caused by Copper, and that is the case with this stone. This would be a superb rare gem to add to any collection, especially a suite of U.S. gemstones, or even more specifically a suite of Arizona gemstones.
Chrysocolla is tyipically opaque or translucent, and rarely does one see gem quality stones of this material. This stone has a strong blue color with a slight green overtone. This stone is translucent around the edges with a "Pear" cut. The vibrant color in Chrysocolla is often caused by Copper, and that is more than likely the case with this stone. I have seen only a handful of Chryosocolla stones from Arizona this size with this color. This would be a superb rare gem to add to any collection.
ex. Harold Urish
An extremely rare dioptase from the RAY MINE. Most people who see Arizona dioptase only see it from Morenci - this one was a big surprise to me and I doubted it until it was verified by an Arizona collector expert. The matrix is lighter weight than Morenci material, and the chrysocolla association is also distinct here. The dioptase here, though small in crystal size, has an incredible bright itensity and the crystals sparkle like sugar! It is a very beautiful, and rare, large specimen
ex. Ron Pellar
Rarely do we get good specimens of this classic, replacemend of azurite by sparkling bright chrysocolla. Atop it all, is a thin layer of drusy quartz which adds sparkle, and protects the underlaying blue chrysocolla as well. Most are large clusters, in any case. This is one of the VERY few thumbnail specimens I have seen of this material, and it really just leaps out for sheer color. It is complete all around, and is more than just a "small example", transcending to be superb thumbnail of a very hard thing to get. Ex Star van Scriver collection, in 1983, to thumbnail collector Ron Pellar. Joe Budd photos.
ex. John White
A very cute, pastel blue thumbnail of this rare replacement, showing classic splayed crystals.
ex. Charlie Key
A most colorful specimen due to the unusual richness of the associated chrysocolla, which makes for striking contrast to the brilliantly green dioptase. Like the above specimen, this is of VERY unusual quality for the location in both condition and overall aesthetics. The closeups show clearly that the quality of the dioptase is good in its own right, aside from the added value of the contrasting association. Lastly, most specimens with any decent chrysocolla I have seen from here have "matrixy" look to them...here the chrysocolla itself IS specimen-worthy in that the botryoidal grapelike growths are more than just "background".
ex. Charlie Key
This is another unique specimen from the collection, and totally different in scale and appearance from other primary malachite I have seen from here. This piece features a 3-dimensional spray, hemispherical in shape, of acicular malachite crystals shooting out radially from a common center. The whole cluster glows with color...it is MUCH brighter and electric green, in person - so the contrast with the rolling blue chrysocolla is striking! I have seen much smaller examples of this habit from Kaokoveld. Nothing of this scale, however. where the cluster is not intergrown with the chrysocolla, it IS pristine. In person it is much more 3-dimensional...both the crystal aggregate and the specimen as a whole.
ex. Charlie Key
These dioptase are perhaps smallish crystals, you are thinking. But the quality is outstanding...razor sharp, translucent, and perched in glistening and velvety matrix of chrysocolla?! It is a miniature that glows with color and perfection.
ex. Charlie Key
Another exceptional shattuck/diop combo! These are very rare, and I have never seen but a few of them out of the small batches of the last few years trickling out of this locality. This piece has a rather large vug, and thus tons of shattuckite for the money...its probably more valuable, if less unique, split in half to sell as two shattuckite specimens. However, I think the novelty value of such a large intact pocket is worth keeping intact, even if its harder to photograph accurately. In person, its really impressive for the depth and rolling interior that is hard to show here
ex. Charlie Key
Charlie seems to have stashed away the best of these that I have ever seen, and this is one of several, each elegant and unique in their own way, that to me are completely novel in what you can expect for a chrysocolla stalactite growth but beyond that are jsut spectacularly sculptural specimens for ANY species!
ex. Charlie Key
Charlie seems to have stashed away the best of these that I have ever seen, and this is one of several, each elegant and unique in their own way, that to me are completely novel in what you can expect for a chrysocolla stalactite growth but beyond that are jsut spectacularly sculptural specimens for ANY species!
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